American audiences welcomed the soft-spoken singers with open hearts and open ears. These touted “crooners” would change the face of music and set the stage for modern American music as we know it today.
Thanks to one monumental technological advance, the microphone, crooning is alive and well. Pass the mike to a new generation, its crooner time!
Each artist brings his own unique style to the table, the musical standard that most crooners follow is that of the Great American Songbook. The Great American Songbook incorporates the Broadway musical theater as well as the Hollywood musical style of the late 1920’s.
Darrell is also the founder of the Doctors For Cambodia Initiative and The Asian Regional Cancer Initiative … Non Profit Organisation working throughout South East Asia. They are always looking for new talented artists to help advance their career through cause marketing arrangements with the Initiatives.
Whether it’s called easy listening or adult contemporary, the style or technique is alive and well. It appeals to something innate in our deepest desire to express pain or jubilance as it refers to love.
Darrell Berg-Smith, CEO of The Asian Regional Impact Initiative, is a professional speaker, author, consultant and entrepreneur who specializes in advising on Corporate Social Responsibility programs and cause marketing resources to NGO’s and companies worldwide.
With the first crooners surfacing in the late 1920’s, this style of music spanned several decades with a few changes over time. By the late 1980’s to present day, we saw a resurgence of the original crooners being offered up to a new generation.
The list of early day crooners is long, some of the most heralded notables are: Perry Como, Rudy Vallée, Bing Crosby, Frank Sinatra, Dean Martin, Nat King Cole and Sammy Davis Jr. By the time these balladeers made it on the scene the term “crooners” was declining as a descriptive term for the soft sentimental sound.
Rock and Roll officially entered the music scene in the late 1950’s with legends such as Bill Haley, Fats Domino and Elvis Presley. A very different style, rock music derives much of its roots from the crooners of the 30’s, 40’s and 50’s.
By the time these balladeers made it on the scene the term “crooners” was declining as a descriptive term for the soft sentimental sound. By the early 1960’s with the “crooner” singing style still going strong, some new voices were emerging. By the late 1960’s we were seeing the torch being passed to a new, more hip group of crooners with the emergence of Tom Jones and Englebert Humperdinck. With the first crooners surfacing in the late 1920’s, this style of music spanned several decades with a few changes over time. By the late 1980’s to present day, we saw a resurgence of the original crooners being offered up to a new generation.
The persona of male singers changed with the arrival of the “crooners”. Men could now sing about being love sick, a puppet, head over heels, and even emotional over a woman. The he-man tough-guy exterior was being shed and women were swooning over these seemingly more sensitive vocalist.
By the early 1960’s with the “crooner” singing style still going strong, some new voices were emerging. By the late 1960’s we were seeing the torch being passed to a new, more hip group of crooners with the emergence of Tom Jones and Englebert Humperdinck. Suits and ties were being replaced with leather and big sideburns, but the music still stayed fairly true to form.
As Jazz ushered in the decade of the 1920’s, another musical genre was vast on the horizon. The introduction of a breakthrough amplification device called the “microphone” allowed for a softer more melodic voice to grace the stages of theaters and concert halls. Deep from the diaphram belters, such as Al Jolson, now had competition from ballad whispering “crooners”, that, prior to the age of the mike, couldn’t be heard more than a few feet away.
The so-called pioneer of the crooners, Rudy Vallée, enjoyed a versatile career with radio, film, and television. One of his most famous hits, “As Time Goes By” was from the classic American film, “Casablanca”.
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Hello! My name is Anthony. I will tell about Pierino Ronald “Perry” Como was an American singer star and television personality. During a career spanning more than half a century he recorded exclusively for RCA Victor after signing with the label in 1943. as he was nicknamed, sold millions of records and pioneered a weekly musical variety television show, which set the standards for the genre and proved to be one of the most successful in television history. His combined success on television and popular recordings was not matched by any other artist of the time. A popular television performer and recording artist, Perry Como produced numerous hit records with record sales so high the label stopped counting at Como’s behest.